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Category Archives: Pilgrim’s Progress

Heavy Laden

Are these daily literary connection posts feeling burdensome?  That’s what I was going for, all in order to lead up to this last one.

Burdens.

You remember them from Pilgrim’s Progress, right? Now I realize not every single use of the word burden is a direct reference to Bunyan’s work.  But it wasn’t just the word.  It was the picture of Bigger lugging the trunk containing Mary’s body and the freedom he experienced when discovering a way to unload it.  He later uses the word in his description.

. . . now that he had killed Mary he felt a lessening of tension in his muscles; he had shed an invisible burden he had long carried.

His mother also has a burden, a “heavy and delicately balanced” one that she “did not want to assume by disturbing it one whit.”

Maybe I’ve just felt too great of a burden in finding literary connections to assume that Richard Wright was harkening back to Paul, er I mean John Bunyan (although, do you think there are any connections between Bigger, and the north’s massive lumberjack?)  I think they’re legit, though.  Were there others?

I don’t want you to feel burdened to answer, but . . .

 
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Posted by on September 21, 2013 in Native Son, Pilgrim's Progress

 

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Some Dads

Happy Father’s Day Sancho, Christian, Gulliver, Mr. Bennett, Fagin, Mr. Brockelhurst, Arthur Dimmesdale, Ahab, Arthur Shelby, Charles Bovary, Marmeladov, Vronsky, Damon Wildeve, Gilbert Osmund, Pap Finn, and Tom Buchanan.

Thanks for not being my dad.

You see, he’s pretty awesome.  And you guys, well, let’s just say that you’re best left where you are:  inside the covers of a book.

Dad Dance

 

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The Fastest 300 Years EVER!

Sancho and the donkey.  Christian.  Yahoos and Houyhnhnms.  Elizabeth and Darcy.  Oliver.   Bertha-in-the-attic.  Hester and Pearl.   Moby Dick.   Uncles and Madams.  Rascal.   Anna-Kitty-Levin-Vronsky-oviches.   The Heath.   Isabel.   Huckleberry.   The Journeys of Henry and Marlowe.   And now Lily, whose outcome, at least for me, is still uncertain.

While paging through the Well-Educated Mind list of fiction books, I realized that Don Quixote was published in 1605 and House of Mirth in 1905.   300 years!  I congratulate myself and you, fellow readers, on plowing through 300 years of literature.   May the crop be plentiful!  I suggest a glass of red wine and some good chocolate to celebrate.

 

 

WEMever the Twain Shall Meet

Despite what Samuel Clemens implies about the usefulness of a well-read education, I’m inclined to believe he followed a curriculum very similar to ours.  Just look at all of the places that there are parallels between The Adventures of Huckleberry Finn and the rest of our reading list:

Don Quixote

  • Tom mentions reading the first of all novels, and even suggests acting it out.
  • The self-appointed Duke and King reminded me of our self-appointed knight errant.
  • Huck and Jim are on quite a quest, with a fairly foggy future outcome.  I found myself often asking, “Where are they going with this,” just as I did inDQ.
  • Tom sets out in the most complicated fashion to help someone who didn’t need his help.  Let’s just face it, Tom is Don Quixote.

Pilgrim’s Progress

  • Slough.  Not of Despond, but I know I read about one, although I’ve lost the page number.
  • The Grandersons, for all their good Christian living, have a copy of this moral tale on the coffee table.  I don’t remember Bunyan having characters named Family Feud and Kill Thy Neighbor, but maybe I just missed a page.

Gulliver’s Travels

  • Can you say “satire?”

Oliver Twist

  • We haven’t encountered a story about a young boy since Oliver.  As a mother with four of her own, it was nice to get back into familiar territory.
  • Did anyone else think the plot tied up a little too miraculously at the end.? Huck just happens to stumble on the Phelps farm when they are expecting his best friend’s arrival?  Miss Watson just happens to die and free Jim?

Moby Dick

  • Water plays anhe important role of water in the lives of the characters.  The river is practically a character itself.
  • Superstitions abound in both situations.
  • Both authors tackled slavery in an indirect manner.
  • At the very end their is a character named Brother Mapple, which seemed just too close to Father Marple for me.

Uncle Tom’s Cabin

  • Slavery
  • Okay, I can be more specific.  Both use male slaves as the moral centers of their works.

Crime and Punishment

  • Huck’s internal struggles between right and wrong, action and inaction, and societal norms and the pull of his heart reminded me of the time we spent inside Raskolnikov’s brain.

The Return of the Native

  • The Mississippi River seems to be the kinder, gentler, yet still important younger cousin of Egdon Heath.

Did I miss any?  Are there any references to P&P, JE, SL, MB, AK, or POAL?

 

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Christmas Is Coming

Readers are easy to shop for because they’re always happy to get a book.  But what if you want to validate their love of literature without adding to the addiction?  Here’s a list of some unique classic gifts that might appeal to us WEMers.  Feel free print it out and leave it in a conspicuous spot for the shoppers in your life.  Or not.

(If all went well, clicking on the picture should open a new window to the site where the item is available.)

Don Quixote

The question I want answered is do these earrings belong the beautiful Dulcinea of Don Quixote’s dreams, or the brawny girl of Sancho’s acquaintance?  Decide before wearing.

Pilgrim’s Progress

Because a Bunyan vest is better than Bunyan Shoes.

Gulliver’s Travels

The site says that the pages are still readable.  Never mind.  Do not buy this for me.

Pride and Prejudice

This is obviously a doll version of Darcy from the beginning of the novel.  You know, when he was really crochety, um I mean crotchety.

Oliver Twist

You could make up a batch of homemade gruel mix, put it in a mason jar, and add a festive bow, or you could give a Dickinsonian this lovely print of a giant gruel pot.

Jane Eyre

These hues of the moors are named “To the Stars,” “A Strange and Unearthly Thing,” and “Independent Will!” (Exclamation point the artists, not mine.)  Aside from the fact that I can’t imagine Jane Eyre for a moment considering her own appearance long enough to put on a coat of nail polish, they are kind of pretty, in a moody, murky way, of course.

Scarlet Letter

These days bearing a shirt with a scarlet A on it doesn’t denote you as an adulteress, although I think that meaning might be preferable.  So instead of clothing, the Scarlet Letter lover might appreciate this ignominious bracelet.

Moby Dick

The Herman Melville gift options seem endless, from “Call me Ishmael, maybe?” t-shirts to Captain Ahab Baby Swaddlers but this print is the item that really made my jaw drop.  It’s as striking and surprising as the novel itself.

Uncle Tom’s Cabin

Personally, I would much rather have a piece of Aunt Chloe’s pie.

Madame Bovary

What could be more fitting for Emma than a vanity mirror?

Crime and Punishment

There are hollow book safes available for nearly all of these classics, but this one for C&P has a certain, well, charm?  Although it doesn’t seem big enough to hide an axe.

Anna Karenina

If you can’t buy the gift you can always buy the pattern and knit it yourself this “adorable” and “cute” Anna Tea Cozy.  Also, shouldn’t it really be a samovar cozy?

The Return of the Native

And when in doubt, sending flowers is always a good idea.  Especially heather from the heath.  It’s much more beautiful than a furze faggot, and easier to carry.

Happy shopping and a Merry Christmas!  Oh, and don’t blame me if you get any of these things.

 

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A Classic Case of Tongue Twisters

Pyotr Petrovich perused Pride and Prejudice perhaps perturbing Porfiry who preferred Pilgrim’s Progress.

Dostoevsky, Vronsky, Oblonsky, and Shcherbatsky went for a brewski.

Inimical monomaniacal ignominy.

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Friends, feel free to form fun phrases for a folio of fictional phonetic frolicking.

 

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I spy Bunyan

I believe that Beecher Stowe must have been a fan of Bunyan. So far I’ve noticed references to Bunyan in three different chapters of Uncle Tom’s Cabin: VIII, XI, and XV.

Are there similarities between PP and UTC?

Christian was trying to get to the Celestial City.  Eliza, George, and Harry are trying to get to Canada.

Fellow reader Norma already commented that the characters in Uncle Tom’s Cabin “seem to be very one-sided – too perfect or too evil.”  Her comment reminded me of Bunyan’s characters in Pilgrim’s Progress; they weren’t “real people” but were tools that the author used to tell his story.

Have any of you spotted Bunyan in our current book?

 
 

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Classic Themes Revisited

Last September I had a revelation about classic literature themes.  At that point our group had read the first three novels of the WEM list.  I noticed that these books had three themes in common.  I’ve copied part of that post here and added what I’ve found in my reading of Moby-Dick to these notes.  I’m thinking I have thesis material for my DIY degree.

1.  Travel
*In the book Don Quixote, the main character had sallies throughout the countryside.
*In Pilgrim’s Progress Christian and Christiana had journeys to the Celestial City.
*In Gulliver’s Travels–well, it’s in the title.  Traveling is part of the story.  Actually four parts of the story.
*In Moby-Dick Ishmael signs up for a three-year stint on a whaling ship.

2. Giants
*Don Quixote thought he saw giants where windmills were.
*Christian had a terrible encounter with the Giant Despair.  There was also the Giant Maul.
*The people of Lilliput call Lemuel Gulliver a “man-mountain”.  To their six-inch frames, Gulliver is a giant.
In the second part of Gulliver’s Travels, the roles are reversed.  Gulliver is tiny compared to the people of Brobdingnag.
*In chapter 34 of Moby-Dick, the harpoonist named Daggoo is described as having “colossal limbs, making the low cabin framework to shake, as when an African elephant goes passenger in a ship.”  Later the book says, “Not by beef or by bread, are giants made or nourished.”

3. Bodily Functions:  I’ll try to be discreet and follow the lead of my fellow blogger.
*DQ had balsam; and a separate instance with Sancho on his donkey that I wish I could forget.
*In PP, Matthew takes a medicine to help him with his guilt gripe.
*In GT, I read about two instances of No 1 and one instance of No 2.
*My very first footnote in chapter one of Moby-Dick explains this phrase “if you never violate the Pthagorean maxim.”  Here’s the footnote: Pythagoras advised his disciples “to abstain from beans because they are flatulent and partake most of the breath of life.”

All of the novels we’ve read have included some sort of travel.  Elizabeth travels with her aunt and uncle.  Oliver runs away to London.  Jane goes to boarding school, takes a carriage to Thornfield Hall, and travels on foot across the moor.  Hester and Pearl take a boat across the ocean in the epilogue.

Sadly, or not so sadly, none of the other novels involve giants or bodily functions.

I’m imagining what it will be like to do an oral defense of my “thesis”.  Don’t you think the scholars will be impressed?

 

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Don Quixote, Christian, and Ishmael Walk Onto a Boat

About ten months ago Jeannette, Christine, and I were sitting in Panera having our first ever official book outing.  We were at the midway point of Don Quixote, and more than a little perplexed about what exactly we were supposed to be learning from reading the adventures of this crazed knight errant.

Then an “Aha!” moment struck.  Maybe it wasn’t just about DQ.  In fact, maybe we just needed to lay DQ as our foundation, and then later we would be able to come back to him and say, in our best snooty, overly-educated tones, “Ah, yes.  Well, if you compare this author’s approach to that of Cervantes you will plainly see that . . .”It seemed like a long shot, but at the time it was all we had, because as mothers we’d already dealt with our share of potty language, imaginary giants, and cardboard costumes.  We were looking for something more.

Well folks, it’s been happening, have you noticed?  Our authors are talking about each other, referring to other classics, building upon the past, and none more than Melville.  Here’s the end of Chapter 26:

Bear me out in it, thou great democratic God!  who didst not refuse to the swart convict, Bunyan, the pale, poetic pearl; Thou who didst clothe with doubly hammered leaves of finest gold, the stumped and paupered arm of old Cervantes; Thou who didst pick up Andrew Jackson from the pebbles; . . .

Okay, I’ll stop there, because I don’t know anything about Andrew Jackson.  But, Bunyan and Cervantes?  Those are our guys!

It seems that Melville has switched in this chapter from first person narrative by Ishmael, to an omnipotent author who gives us not only backgrounds on multiple characters, but also his own philosophical statements.
Here we get a little peak into Melville’s life as a writer.  This plea to a “democratic God” is for himself, that he may be given the ability to produce a culture shifting story, the likes of Don Quixote or Pilgrim’s Progress. Melville, a mere 30-something American is hoping to create characters that begin as the every-man and end as the men every man remembers.

Then again, maybe this is Ishmael’s voice begging the “Spirit of Equality” to make him, and the motley crew of the Pequod heroes in their own right – to elevate the common with a chivalrous pilgrimage toward the destruction of evil.

I don’t know, it seems my own snooty voice is rather indecisive about this whole mess.  Please weigh in with your own.

 
 

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More in Common Than the Moustache

We know from his reference to the doorway to hell that occupied Chillingworth’s eyes that Hawthorne knew his Bunyan, but there is a more subtle commonality running between the two.

Bunyan’s work is full of Sins.  Personified Sins, no less.  And yet, no sin is ever described in detail.  We didn’t spend lots of time with Wanton or Madame Bubble, but instead heard only of their affects on the Faithful and Standfast souls they attacked .  I think that Bunyan knew that to dwell too long on evil was to glorify it and make it attractive.

The same is true for Hawthorne’s treatment of adultery.  He wanted us to sympathize with Hester, and possibly even Dimmesdale, but I don’t believe he wanted us to sympathize with Adultery.  The capital A marks it as a personified sin, much like those encountered on Christian’s journey, and as in the Pilgrimage we see only the effects that Sin has on all that it touches.  We can hurt for those whose lives have been forever changed by the dark misdeed, but we cannot love Adultery itself.  Love the sinner, hate the sin.

Nicely done, guys.

 
 

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